Keeping the Bath Water

by Zach Clark

The Baby

[Editor's Note: In honor of THE BABY's release on DVD tomorrow, this appreciation could only come from Mr. Clark, a NYC-based filmmaker and a life-long fan of psychotronic cinema. His most recent feature films are MODERN LOVE IS AUTOMATIC and VACATION!.]

You can't un-see Ted Post's 1973 feature The Baby. What begins as a quasi soap opera for infantilists uses seemingly non-tongue-in-cheek camp and slasher tropes to mutate into an anti-morality play about families and normalcy. What's right is wrong. What's wrong is wrong, too. There are no answers, only questions. Hope is non-existent. You could call it misanthropic, or you could call it honest. Baby doesn't walk and Baby doesn't talk and there isn't really anything anyone can do about it.

The Baby The star of The Baby is Baby (played by David Manzy), a grown man who is also a baby. You have to see it to believe it. He wears infant clothes. He wants to play with toys and breast feed. His food is pureed and gets all over his face. But, he is not chasing the modern adult baby's dream of permanent regression. Baby has nothing to regress to. He's not pretending because he is a baby.

Source: http://daily.greencine.com/archives/008081.html

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